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Recording sessions for the album were held mostly at Battery Studios in New York City, from 1990 to 1991. The album was primarily produced by group member Q-Tip, with a minimalist sound that combines bass, drum breaks, and jazz samples, in a departure from the group’s debut album, \u003c\/span\u003e\u003ci\u003ePeople’s Instinctive Travels and the Paths of Rhythm\u003c\/i\u003e\u003cspan\u003e (1990). 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The album continued his experimentation with electric instruments previously featured on his critically acclaimed In a Silent Way album. With the use of these instruments, such as the electric piano and guitar, Davis rejected traditional jazz rhythms in favor of a looser, rock-influenced improvisational style.\u003c\/p\u003e\n\u003cp\u003eBitches Brew was Davis's first gold record; it sold more than half a million copies. Upon release, it received a mixed response, due to the album's unconventional style and experimental sound. 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Departing from denser experimental textures, the band embraced propulsive rhythms, funk bass lines, and tighter song structures, fueled by contributions from new collaborators such as Bernie Worrell and Alex Weir. The recording process followed a hiatus during which members pursued side projects, giving them space to recombine influences and ideas. 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It weaves together elements of soul, funk and R\u0026amp;B, showcasing Siffre’s ability to write both infectious grooves and reflective ballads. Co-produced by Big Jim Sullivan and Derek Lawrence, the record features notable contributions from session musicians including Chas \u0026amp; Dave and Brian Bennett of The Shadows. Tracks such as I Got The..., The Vulture, Down and Sadie And The Devil highlight the album’s deep funk sound, while songs like Dreamer and Remember My Song reveal Siffre’s more contemplative side.\u003c\/p\u003e\n\u003cp\u003eAlthough the album was not a major commercial success upon release, it has grown in stature over the years. Its influence reached new audiences when the riff from I Got The... was famously sampled by Eminem for My Name Is, drawing attention back to Siffre’s catalogue. 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For example, it’ll take you over four hours just to get from R\u0026amp;B singer Leon Bridges’ hometown of Fort Worth down to Houston, where the psychedelic wanderers in Khruangbin hail from. The state is vast, crisscrossed with rugged expanses of road flanked by limestone cliffs and granite mountains, forests of pine and mesquite, miles of desert or acres of sprawling grassland, all depending on what part you’re in. And it’s all baking under the Texas Sun that lends its name to Bridges and Khruangbin’s new collaborative EP.\u003c\/p\u003e\n\u003cp\u003e“Big sky country, that’s what they call Texas,” Khruangbin bassist Laura Lee says. “The horizon line goes all the way from one side to another without interruption. 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Within six years (1982 - 1988) and four albums at EMI she changed from New Romantics pop on her debut album \"The Party's Over\" with smaller hits like \"Talk Talk\" or \"Today\" to almost archaic avant-garde rock \/ pop on \"Spirit Of Eden\". On this album the band was supported by illustrious guests like the violinist Nigel Kennedy or the double bass legend Danny Thompson.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":51820378194208,"sku":"PCSDX 105.","price":51.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7088\/5408\/files\/5099932778717.jpg?v=1781149450"},{"product_id":"joy-division-1","title":"Joy Division","description":"\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003e\u003cstrong\u003eJoy Division  - Unknown Pleasures  (Vinyl)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003eIan Curtis (guitar\/vocals), Bernard Sumner (keyboard), Peter Hook (bass), and Stephen Morris (drums) - aka Joy Division - released their debut, 'Unknown Pleasures,' in 1979.\u003c\/p\u003e\n\u003cp\u003eBy the end of the year, the album's atmospheric sound had won over fans and critics. To celebrate the 35th anniversary of \"Love Will Tear Us Apart,\" Rhino is re-releasing this album on heavyweight 180-gram vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":51852234326304,"sku":"082564 6183906","price":58.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7088\/5408\/files\/6df868-20190626-joy-division-unknown-pleasures.jpg?v=1781496820"},{"product_id":"depeche-mode-1","title":"Depeche Mode","description":"\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003e\u003cstrong\u003eDepeche Mode  -  Violator (Vinyl)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eViolator, released in 1990, is Depeche Mode’s seventh studio album and a defining work in the evolution of synth-pop and alternative electronic music. The record merges sleek digital production with emotional gravity, balancing mechanical precision and human vulnerability. Singles such as “Personal Jesus,” “Enjoy the Silence,” and “Policy of Truth” demonstrate the band’s mastery of mood—minimal yet full, sensual yet introspective. The sound design, driven by Alan Wilder’s meticulous arrangements and Martin Gore’s songwriting, creates an atmosphere both immediate and cinematic. Violator stands as Depeche Mode’s creative and commercial peak, the album that brought their underground edge to a global audience. Its synthesis of pop accessibility and gothic undertones reshaped how electronic music could function within mainstream rock. Decades later, it continues to be celebrated as a landmark in modern music—one that captures the moment when darkness, desire, and technology found perfect harmony.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":51858606358816,"sku":"889853 36751","price":50.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7088\/5408\/files\/DEPECHE-MODE-Violator-Reissue-Remastered-Gatefold-180-Gram.jpg?v=1781581732"},{"product_id":"sza-1","title":"SZA","description":"\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eSZA -  Ctrl  \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn the USA, \"Ctrl\" already reached number three in the charts last year, and in 2018 the eagerly awaited debut of R'n'B newcomer SZA is finally available in Germany.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003eThe 28-year-old worked on the album for almost three years. Several well-known producers supported her, including Anthony \"Top Dawg\" Tiffith, Terrence \"Punch\" Henderson and Dave \"Miyatola\" Free.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA total of 14 songs await on \"Ctrl.\" The singles \"Drew Barrymore\", \"Love Galore\", \"The Weekend\" and \"Broken Clocks\" were released.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThere are also some exciting guests on the record: rappers Travis Scott, Kendrick Lamar, singer James Fauntleroy as well as rapper and producer Isaiah Rashad.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe new star in the R'n'B sky is also making a name for herself in this country in 2018. SZA presents her great first album \"Ctrl\".\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":51881990979872,"sku":"889854 49191","price":68.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7088\/5408\/files\/336663-Product-0-I-638917000491711320_1024x1024_abfb0d98-056b-4851-92e1-48017e2936f9.jpg?v=1781838319"},{"product_id":"oasis-1","title":"OASIS","description":"\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pt-12 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eOASIS  -  DEFINITELY MAYBE  (Vinyl)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003eIn 20 years' time, people will buy DEFINITELY MAYBE and listen to it for what it was. That's what is important.' Noel Gallagher, August 1994.\u003c\/p\u003e\n\u003cp\u003eRemarkably confident words from a guitarist on the eve of his band's debut album release. But Oasis were always certain in their abilities - and the public were just as clear the five-piece were on the right track. Let's get the statistics out of the way...\u003c\/p\u003e\n\u003cp\u003eOn it's release in August 1994, DEFINITELY MAYBE sold a record-breaking 86,000 copies in it's first week, the highest first-week sales for a debut album in Britain. It has since gone on to sell 5 million around the world. Over the course of their eight albums until disbanding in 2009, Oasis sold over 70 million albums.\u003c\/p\u003e\n\u003cp\u003eMore importantly, the songs sound as fresh and relevant today as they did 20 years ago. A hunger to escape will always sound vital, especially if it's sung as mesmerically as Liam Gallagher and written with the urgency of Liam's older brother Noel.\u003c\/p\u003e\n\u003cp\u003eVinyl LP pressing. Remastered edition of Oasis' classic debut album.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":51897887523104,"sku":"RKIDLP 70","price":56.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7088\/5408\/files\/6unilp61070-large__35858_1620323105_9dd80d1f-10a9-4435-85f9-18af98351eb7_1024x1024_jpg.webp?v=1782101785"},{"product_id":"chris-stussy","title":"Chris Stussy","description":"\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-(--header-height)\" dir=\"auto\"\u003e\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-3 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full dark markdown-new-styling\"\u003e\n\u003cp\u003e\u003cstrong\u003eChris Stussy -  Lost Found \u0026amp; Forgotten (Vinyl)\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"bfao0i0\"\u003e\n\u003cp\u003e\u003cspan\u003eAfter years of shaping dancefloors worldwide and carefully curating the sonic and visual identity of Up The Stuss, Dutch favourite Chris Stussy presents his most expansive and personal statement to date with his debut album, ‘Lost, Found \u0026amp; Forgotten...’. Landing on 3rd April, the album unfolds across three interconnected chapters - ‘Lost’, ‘Found’, and ‘Forgotten’ - each revealing a different side of his creative world across 19 tracks while remaining tethered to a singular wider vision.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAt its core, ‘Lost, Found \u0026amp; Forgotten...’ is an exploration of creative freedom. Visually and conceptually guided by the image of a kite, the album reflects movement, perspective, and balance. Floating freely yet always anchored, the kite mirrors Chris’s approach to music: unrestricted in emotion and imagination, but grounded in groove, craftsmanship, and intention. It’s a symbol that naturally extends the Up The Stuss identity; pointing skyward, embracing openness, and encouraging curiosity.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“This album has been a long time in the making, and I’m excited to finally share it with you. The process behind it - exchanging ideas with other artists and creating music outside of my comfort zone - has been an incredible experience. It gave me a true sense of freedom, allowing me to not think about boundaries or expectations. I’ve never been more proud of a project than this one. It’s deeply personal, and it represents my sound as a whole. I hope you listen with an open mind and find something in it that resonates with you.” - Chris Stussy\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SONY","offers":[{"title":"Default Title","offer_id":51904230359328,"sku":"UTSA 01","price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7088\/5408\/files\/76c7c9b96d3d51b21b9dddd8f86b85b0.1000x1000x1.png?v=1782179717"}],"url":"https:\/\/vnyl2u.com.au\/collections\/best-seller.oembed","provider":"vnyl2U","version":"1.0","type":"link"}